• Skip to main content
  • Skip to primary sidebar

E-Home Recording Studio

Build a Studio. Record Your Music.

  • Guitar
    • Electric
      • Amps
      • Pedals
      • Cables
      • Pickups
    • Bass
      • Strings
      • Amps
      • Pickups
    • Acoustic
      • Classical
      • Pickups
    • Accessories
      • Cases
      • Picks
      • Slides
      • Straps
      • Tuners
      • Stands
      • Strings
      • Capos
      • Theremins
  • Drums
    • Electronic
    • Acoustic
      • Snare
      • Drumheads
      • Cymbals
    • Percussion
      • Djembe
      • Bongos
      • Cajon
      • Conga
      • Cowbell
      • Tambourine
      • Vibraphone
      • Xylophone
      • Marimba
      • Glockenspiel
    • Accessories
      • Metronomes
      • Thrones
      • Drumsticks
  • Strings
    • Keyboards
    • Ukulele
      • Electric
      • Bass
      • Strings
    • Violin
    • Autoharp
    • Mandolin
    • Banjo
    • Dulcimer
  • DJ
    • Software
    • Mixers
    • Controllers
    • Turntables
    • Speakers
    • Headphones
  • Brass/Wind
    • Trombone
    • Flute
    • Clarinet
    • Sax
    • Harmonica
    • Didgeridoo

The Ultimate Guide to Snake Cables for Stage and Studio

The Beginner's Guide to Snake Cables for Home Recording

If you’re shopping for snake cables, but you’re not quite sure what you need, or what features to look for…

You’ve come to the right place.

Because in this ultimate guide for snake cable beginners, you’ll get a complete introduction to this often confusing piece of music equipment…along with several of our top recommendations.

So here’s what we’re about to cover:

Table of Contents?

  • So…What Exactly are Snake Cables Actually For?
  • The 3 Snake Cable Connectors You Need to Know
  • Dsub Connectors: What You Need to Know
  • How Many Snake Cable Channels Should I get?
  • Our Top 3 Recommended Snake Cables for Home Studios
  • Two Common Snake Cable Alternatives
  • Custom Snake Manufacturers for Pro Installations

So…What Exactly are Snake Cables Actually For?

Pro Co Stagemaster 16x4 Snake Cable

Typically seen only in professional recording studios and live concert venues…

Snake cables are a rarely-used and frequently misunderstood piece of gear among everyday musicians.

So if you’re a bit new to them, and aren’t exactly sure why or if you need them…let’s clear things up right now.

By definition, a snake cable (aka multi-core cable) is a group of several audio cables contained within a single common outer casing.

The main benefit of using them is of course, organization.

Sure, you could have dozens of individual cables scattered about the floor until it looks like you’re walking over a pit of snakes. But it’s far easier to manage just one BIG cable instead.

Up next…

The 3 Snake Cable Connectors You Need to Know

On either end of a snake cable, you’ll find 1 of 3 connections:

snake cable connectors

Fanout/Breakouts split the snake into single connectors of XLR/m, XLR/f, TRS or TS. This is typically used to split the snake individual channels for insertion into a mic preamp for example.

Junction boxes split the snake into individual inputs, but consolidated within a box. Typically these are used to relocated inputs to a different location, such as a different room.

Dsub Connectors consolide many channels into a single connector. Which is far easier than having to connect each one individually.

Up next…

Dsub Connectors: What You Need to Know

db25 cable

Dsub’s (D-subminature) are a category of connectors known by their familiar “D” shape.

While many Dsub versions exist, in pro audio, the DB-25 is the most common.  So for now, that’s what we’ll focus on.

The most common studio use for the DB-25 is to consolidate 8 balanced analog signals into a single connection.

As their name suggests, DB-25 connectors have 25 pins total:

  1. 8 Hot (+)
  2. 8 Cold (-)
  3. 8 Ground
  4. 1 Unused

This diagram explains the wiring:

DB25 Wiring

This allows for a total of 8 audio channels (3 x 8 = 24) with the 25th pin unused.

Another big advantage of Dsubs is that they’re much cheaper than other types of snake cables.

NOTE: Dsub connectors are also sometimes used with digital TDIF signals (Tascam Digital Interconnect Format) as well.

Up next…

How Many Snake Cable Channels Should I get?

In pro studios and live rigs, which sometimes have hundreds of inputs, it’s common to see snakes with up to 48 channels.

For home studios, 8 and 16 channel snakes are are more common.

Our Top 3 Recommended Snake Cables for Home Studios

hosa little bro

At this point, you already basically know everything you need to on this subject.

So the only thing left is to find a model to match your current setup.

While most snakes are far too large for home use, here are 3 smaller ones that I would recommend to any project studio, or modest live rig:

  • Hosa Little Bro 8 channel – (Amazon/B&H)
  • Seismic Audio 12 channel – (Amazon)
  • Seismic Audio 16 channel – (Amazon)

Up next…

Two Common Snake Cable Alternatives

adat cat5e

While not technically snake cables, there are two commonly used digital cables, that essentially serve the same purpose:

  1. ADAT
  2. Ethernet (Cat5e)

ADAT cables send 8 channels of digital audio at 48kHz (or 4 channels at 96kHz)…

And are commonly used to send digital audio from a multi-channel mic preamp, to the input of your audio interface.

Cat5e cables (w/ RJ45 connectors) can connect even more channels than ADAT, and can additionally:

  • extend for very long distances
  • provide power to the receiving device

This combination of features makes them popular with advanced headphone distribution systems for sending multiple audio channels to the personal mixers of each musician.

Up next…

Custom Snake Manufacturers for Pro Installations

whirlwind and pro co

For custom pro studios and live concert venues, it’s next to impossible to find a stock snake cable that is ideally suited for your setup.

Simply because, there are so many possibilities that it’s nearly impossible for manufacturers to make a range stock models to suit everyone.

So instead, the typical route is to order a custom snake built to your specifications.

If that’s what you’re looking for currently, here are the top two manufacturers that I’d recommend checking out:

  • Pro Co Sound – (snakes/custom shop)
  • Whirlwind USA – (snakes/custom shop)

The 6 Chapters of E-Home Recording Studio

  • Chapter 1: Beginner Essentials
    • 1. DAW Software
    • 2. Audio Interfaces
    • 3. Headphones
    • 4. Studio Monitors
    • 5. Mic Cables
    • 6. Mic Stands
    • 7. Pop Filters
  • Chapter 2: Microphones
    • 1. Condenser Mics
    • 2. Dynamic Mics
    • 3. Ribbon Mics
    • 4. USB Mics
    • 5. Stereo Mics
    • 6. Wireless Mics
    • 7. Vocal Mics
    • 8. Acoustic Guitar Mics
    • 9. Electric Guitar Mics
    • 10 .Drum Mics
    • 11. Kick Drum Mics
    • 12. Field Recorders
  • Chapter 3: Acoustic Treatment
    • 1. Soundproofing
    • 2. Bass Traps
    • 3. Acoustic Panels
    • 4. Reflection Filters
    • 5. Monitor Isolation Pads
  • Chapter 4: Studio Design/Setup
    • 1. Mixing Desks
    • 2. Studio Chairs
    • 3. Signal Flow
    • 4. Audio Cables
    • 5. Monitor Placement
    • 6. Studio Monitor Stands
  • Chapter 5: Using Your Studio
    • 1. How to Record a Song
    • 2. Recording Vocals
    • 3. Recording Instruments
    • 4. Microphone Polar Patterns
    • 5. Stereo Recording
    • 6. Mixing on Headphones
    • 7. Binaural Hearing
    • 8. Understanding Decibels
    • 9. Fletcher Munson Curve
    • 10. Digital Audio 101
    • 11. Using Click Tracks
  • Chapter 6: Equipment Upgrades
    • 1. Rack Mounts
    • 2. Power Conditioners
    • 3. Microphone Preamps
    • 4. Headphone Amps
    • 5. Monitor Management
    • 6. MIDI Controllers
    • 7. Control Surfaces
    • 8. Software Accessories
    • 9. Virtual Instruments
    • 10. Snake Cables
    • 11. Uninterruptible Power Supplies
    • 12. Direct Boxes

Primary Sidebar

  • Chapter 1: Beginner Essentials
    • 1. DAW Software
    • 2. Audio Interfaces
    • 3. Headphones
    • 4. Studio Monitors
    • 5. Mic Cables
    • 6. Mic Stands
    • 7. Pop Filters
  • Chapter 2: Microphones
    • 1. Condenser Mics
    • 2. Dynamic Mics
    • 3. Ribbon Mics
    • 4. USB Mics
    • 5. Stereo Mics
    • 6. Wireless Mics
    • 7. Vocal Mics
    • 8. Acoustic Guitar Mics
    • 9. Electric Guitar Mics
    • 10 .Drum Mics
    • 11. Kick Drum Mics
    • 12. Field Recorders
  • Chapter 3: Acoustic Treatment
    • 1. Soundproofing
    • 2. Bass Traps
    • 3. Acoustic Panels
    • 4. Reflection Filters
    • 5. Monitor Isolation Pads
  • Chapter 4: Studio Design/Setup
    • 1. Mixing Desks
    • 2. Studio Chairs
    • 3. Signal Flow
    • 4. Audio Cables
    • 5. Monitor Placement
    • 6. Studio Monitor Stands
  • Chapter 5: Using Your Studio
    • 1. How to Record a Song
    • 2. Recording Vocals
    • 3. Recording Instruments
    • 4. Microphone Polar Patterns
    • 5. Stereo Recording
    • 6. Mixing on Headphones
    • 7. Binaural Hearing
    • 8. Understanding Decibels
    • 9. Fletcher Munson Curve
    • 10. Digital Audio 101
    • 11. Using Click Tracks
  • Chapter 6: Equipment Upgrades
    • 1. Rack Mounts
    • 2. Power Conditioners
    • 3. Microphone Preamps
    • 4. Headphone Amps
    • 5. Monitor Management
    • 6. MIDI Controllers
    • 7. Control Surfaces
    • 8. Software Accessories
    • 9. Virtual Instruments
    • 10. Snake Cables
    • 11. Uninterruptible Power Supplies
    • 12. Direct Boxes
  • Guitar
  • Drums
  • Strings
  • DJ
  • Brass/Wind